Due to popular demand, Hallman Labs finally have a few sound clips of my amplifier. This is the Blues Jr, combined with some of my custom pedals and of course, my Schecter Tempest Custom guitar. My friend, Kale Brown, helped me out and played my guitar, while I did the recording (mostly on a Tascam DR-05). The results are pretty good for what we put into it!
Pedals used at some point in the recording:
Boss RC-3 Loop Station, BYOC 2 Knob ESV Bender, Custom Crybaby Classic w/ Whipple Wah, MXR Uni-Vibe, TC Electronics Hall of Fame Reverb.
All wire for guitar/amp/effects pedals were Mogami 2524 with Neutrik plugs.
Note: We had a baby asleep in the house we were recording inside of, so we could only go so loud. I’ll try to add a better clip highlighting tube breakup/distortion at a later time. Other than that, Kale does an excellent job at showcasing this amplifier.
The only bit I captured with my Nady CM-100 + Rolls Mini-Mic Preamp -> XLR to USB
You can pick up on more detail in this recording than the rest, especially the high end.
Lighter playing (DR-05):
Louder playing with some breakup (DR-05):
Variety with a little talking (Crybaby Classic Wah Pedal, MXR Uni-Vibe) (DR-05):
I was a little worried about my modded Fender Blues Jr. I added some Siemens (EPCOS) filter capacitors and ELNA SILMIC-II into the signal path locations. I also put some vintage orange drops in to go with the newer ones.
After I finished installing everything I had no sound.. The tubes were heating up and I had voltage across the main PSU cap. I re-flowed any questionable solder joints and stuck with it. After 2 days I had her singing again!
I really like the tone I have now, love my Celestion G12-H Greenback speaker with these mods.
(For the curious, the two potentiometers separate from the rest, are the sparkle and presence mods from BillM)
This is from my thread on TDPRI, which can be found HERE, if you’d like to see the topic in its original entirety.
Most of this is copied and pasted from there because it was already so detailed and accurate to what is being used. My memory isn’t as good as the Internet!
Mainly this was my first venture into modding audio circuits, besides building BYOC (electric guitar effect pedals) kits and selling them.
Working with an amplifier and doing mods is so much fun, hearing the differences you can make is very rewarding. I encourage all readers who own a Fender Blues Jr. to try the “basic kit” BillM sells for all versions of the modern Blues Jr models, and the Fender Excelsior.
Correction: BillM IS
no longer providing his mods again, after a hiatus that he took due to health concerns. For a while his son filled the orders, but on their site it sounds like Bill is back at it again. I may reach out to him and see if he wants to team up and let me be the guinea pig for any new mods!
New Article on “BillM”‘s Fender Modding site announcing he is back and working on a backlog of orders:
Hi, all! I am back to the grindstone. I have about two or three billion emails to answer, so if you’ve sent one in, I’m almost there. Meanwhile, the webshop is back up and running! Thanks to everyone!https://billmaudio.com/wp/?p=1875
This is great news for all current and future Fender Blues Jr owner’s! I believe the two or three modern versions of the Blues Junior (made in last 20 years) is the best trade off between tubed audio circuits and their solid state equivalents. BillM and his son create some of the best Fender Blues Jr (“BillM”) mod kits for your money.
Most mods for tube based electrical equipment will run at quite the premium, if for nothing else, due to LETHAL currents & voltages being present. Without taking the proper precautions, doing a capacitor upgrade could end with your obituary, seriously. That isn’t a joke and this is why BillM does an excellent job instructing the customer how to build and/or install their kits. The main thing is to make sure you bleed any voltage off that is currently across the primary power filtering capacitor/s (applies to all amplifiers), before doing anything on the amplifier. Those filtering capacitors can generate lethal spikes of current, so do not even think about skipping that step.
You can find Bill’s Guide on bleeding the power capacitor/s here.
I purchased the Blues Junior knowing it was pretty much the perfect practice/home amp in the sub $500 range for that classic American tone. After spending some time with it and stumbling through the internet to BillM’s website (http://billmaudio.com/wp/) I decided to start modding the amp. I have a long history of modding PC’s, so I knew this would be a piece of cake with how simple the Blues Jr. is, circuit wise.
I started with some basic BillM mods, this is the list of mods I purchased/installed:
- Clean Boost Mod
- Basic Cream Kit
- Sparkle Mod
- Presence Mod
- Switchcraft Input Jack
- Switchcraft Line Out Jack
- Standby Switch
- TO20B Upgraded Output Transformer
After installing all of those mods I was very satisfied with the tone. The only thing still lacking was the bass response from the stock speaker
At that moment in time the “budget” wasn’t the main concern and you are talking about a $200 speaker upgrade (that could be moved or sold at very little loss).
Here is a breakdown of everything you see in the completed pictures:
Blues Jr. – $429
NOS Tubes – $105
BillM Mods – $91
Speaker – $199
Total – $824
I went with the Celestion G12H Greenback because I have heard them compared to some other 12″ speakers. Nothing else that Guitar Center had come close to that G12H tone
Build Log Comments:
You can see info on a mod I did to the Tempest Custom here.
The NOS tubes do create a tonal difference vs. the stock Fender Groove Tubes. My only issue was that I made so many changes so often and that made it hard to pin down specific improvements. However, I know for sure the NOS EL84s (GE USAs) created a much more pleasant glassy sound than the Groove Tubes. I also went with one 12AY7 (in the V1 slot) to create more clean headroom, this is a very easy tweak anyone can make. Keeping in mind that with my BYOC ESV 2 Knob Bender, I can enter Jimmy Page land at the click of a switch (even with a 12AY7).
I went ahead and changed out tubes V2 and V3 because I figured I might as well go all NOS, however, I did not spend near the money on those as I did on the 12AY7 (V1) and the two power tubes. Although V2 is a GE USAF 5751, but I didn’t pay very much for it compared to the V1 12AY7. So, I’m running all GE US Tubes except for the Sylvania in V1. Fun fact, from my understanding, the Sylvania 12AY7 may have been made in the same plant as the GE tubes!
My EL84 GE Power Tubes that tested 7500 and 6800
My Sylvania 12AY7 that test perfectly balanced
My V2 and V3 12AX7s: (I got that one GE 12AX7 for $9.99 because for some reason there were no other bids, even though it was tested (U GETTER/ GREY PLATES- 52/54))
Overall, from everything I did, my favorite mod is the clean boost + stereo foot switch. Being able to push output tubes harder, from a completely transparent boost, is something that no conventional pedal is going to achieve. No matter how expensive it is, because traditional pedals run into the front end of the amp and push the pre-amp tubes, not the power tubes.
When comparing pre-amp tube breakup/distortion to power tube breakup, pre-amp is harsher and not as agile as the EL84 breakup. I still need to get some more pictures now that I have the Clean Boost installed and I have the line out mod in there now also. If anyone has any questions about anything or wants to tell me I am an idiot for spending so much on a Blues Jr. (again, lol), just leave a reply or use the contact me tab. By far the biggest tonal difference was when I installed the G12H (perfect balance all around and a true vintage sound), that was $200 well spent. I know I will never get rid of that speaker, if I upgrade amplifiers later down the road, the G12H will move also.